All posts filed under ‘Writing

“Unknown Makers”

An essay about how, as digital technologies enable increasingly accurate reproductions of artworks, museums—as well as artists and lawyers—are grappling with the complex aesthetic, legal, and political implications of copying.

“The Last Platform”

In the March 2016 issue of Frieze, I published “The Last Platform,” an essay about “what it’s like to stand on the precipice of virtual reality.”