I am the editor of Triple Canopy (http://canopycanopycanopy.com), a magazine based in New York. Since 2007, Triple Canopy has advanced a model for publication that encompasses digital works of art and literature, public conversations, exhibitions, and books. This model hinges on the development of publishing systems that incorporate networked forms of production and circulation. Working closely with artists, writers, technologists, and designers, Triple Canopy produces projects that demand considered reading and viewing. Triple Canopy resists the atomization of culture and, through sustained inquiry and creative research, strives to enrich the public sphere.
Triple Canopy’s contribution to the 2014 Whitney Biennial is Pointing Machines, an installation titled after the simple eighteenth-century measuring tool for reproducing sculpture in stone or wood with a system of adjustable rods and needles. The installation consists largely of reproductions—by handcraft, 3-D printing, and photography—of paintings and a colonial-era wash basin stand, once part of the […]
“Offshore finance, Bataille, xenospace, murder! The unmaking of a mainstream mystery novel.” An essay published in Triple Canopy.
An essay on the contemporary infatuation with the brain, published in Triple Canopy.
A performative lecture on the International Necronautical Society, delivered at Program in Berlin.
I’m the editor of Triple Canopy, an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet’s specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of […]
A collective effort to establish new critical discourse around conceptual art and poetics—in public, in print, online, in a museum.