In March 2015, Triple Canopy, Sternberg Press, and Tensta Konsthall published Headless, an exhilarating murder-mystery by the elusive K. D. I wrote the introduction to the novel, which probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes. (My introduction previously appeared in Triple Canopy as “Headless Commercial Thriller.”) […]
On February 6–8, 2015, Triple Canopy presented How Far Is Near, a series of conversations at Material Art Fair in Mexico City. The series considered the ways in which political representation might be achieved—or recognized as a chimera, or disavowed—through the work of representing politics, and focuses on the various responses by Mexican artists and writers to […]
Between October 2014 and March 2015, Triple Canopy collaborated with several Mexico City-based artists, writers, designers, and researchers to organize Universal Time (Tiempo Universal), a seminar on publication as a means of producing and distributing knowledge, as a site for the translation of texts and contexts. Universal Time (Tiempo Universal) was organized in collaboration with José León Cerrillo, […]
Triple Canopy’s contribution to the 2014 Whitney Biennial is Pointing Machines, an installation titled after the simple eighteenth-century measuring tool for reproducing sculpture in stone or wood with a system of adjustable rods and needles. The installation consists largely of reproductions—by handcraft, 3-D printing, and photography—of paintings and a colonial-era wash basin stand, once part of the […]
“Offshore finance, Bataille, xenospace, murder! The unmaking of a mainstream mystery novel.” An essay published in Triple Canopy.
An essay on the contemporary infatuation with the brain, published in Triple Canopy.
A performative lecture on the International Necronautical Society, delivered at Program in Berlin.