All posts filed under ‘Printed matter

“GlblVlgIdiot Annual Report 2014”

In the September 2014 issue of Art in America, I published “GlblVlgIdiot Annual Report 2014,” a portfolio that adapts for the page a performance created with author Joshua Cohen and artist Jon Kessler. Click here for the PDF. More information about the performance, Introducing the Web, which examines the techno-utopian language and libertarian endgame of Silicon Valley and was […]

“Pointing Machines”: Triple Canopy in the 2014 Whitney Biennial

Triple Canopy’s contribution to the 2014 Whitney Biennial is Pointing Machines, an installation titled after the simple eighteenth-century measuring tool for reproducing sculpture in stone or wood with a system of adjustable rods and needles. The installation consists largely of reproductions—by handcraft, 3-D printing, and photography—of paintings and a colonial-era wash basin stand, once part of the […]

Popular Legacy

“Popular Legacy” is a study for a memorial. The exhibition and accompanying publication, Information Center, are composed primarily of reproductions of documents taken from an abandoned Iraqi embassy in former East Berlin, and materials related to the history of memorialization in Germany and the bureaucracy governing that process. “Popular Legacy” is also a study for […]