On March 10, 2016, Triple Canopy published “Copy of an Original of a Copy,” an edited transcript a conversation that took place as part of the magazine’s Pointing Machines issue. The conversation, which I moderated, was devoted to the challenges posed to legal conceptions of images, objects, and data, especially as they concern intellectual property, by emerging technologies. The participants were Edward Lee, Jennifer L. Roberts, Sergio Muñoz Sarmiento, and Allyson Vieira; they discussed 3-D imaging and printing, which may (eventually) augur an age of networked production in which endlessly manipulable, ownerless objects can be outputted whenever and wherever the requisite hardware and software can be found—not to mention the printing of body parts and the reproduction of antiquities.